RRRapid Reviews: Rabbit Hole, It's Kind of a Funny Story, I Love You Philip Morris, and of course Bridesmaids

Sooo yeah. Maybe life has been busy, maybe I've just been lazy...but in any event I haven't updated my blog (much to my chagrin) in almost two months.

Due to this, in lieu of writing my normal "rambling reviews" I'm going to give you a short rundown of all of the films I've seen lately, and a quick mention of a few I am REALLY excited to see.

Without further ado...

It's Kind of a Funny Story (available on DVD and Blu-ray)
I actually watched this back in March, and I thought it was a really quirky, fun little indie film. The previews had set it up to be sort of an oddball comedy starring the king oddball himself, Zack Galifianakis. It ended up being more of a dramedy, with the story focusing on a young kid (played by Keir Gilchrist) who checks himself into a mental hospital after feeling suicidal. This film could have gone the way of "One Flew Over the Cuckoo's Nest" or "Girl, Interrupted" (both great films) but instead it managed to stay airy and light with a good message (and not too treacly either).

Gilchrist was pretty great here, as was Emma Roberts (yes, Julia's niece) as the love interest, and of course Galifianakis was hilarious, even his dramatic moments were surprisingly decent.

Maybe it was just that this movie came around for me at the right time, but I found it really life-affirming. I'd definitely recommend it. Oh and don't even bother renting it unless you watch the outtakes - they are hilarious.

Rabbit Hole (available on DVD and Blu-ray)
Seeing as this film had some Oscar nominations (both for acting and overall) I was really looking forward to seeing it, and it too did not disappoint. The film follows the lives of a mid-life couple who are coming to terms with the death of their young son after he is hit by a car.

Director John Cameron Mitchell is known for his unique storytelling (his other two films are "Hedwig and the Angry Inch" and "Shortbus" - both very unique) and this is no exception. He manages to do a fantastic job of being creative in his filmmaking, but without making it look like a pretentious-film-school-lesson àla the Coen Brothers (sorry but I have a pretty intense hatred for their films).

The whole film is basically about a few months in the life of these two people, struggling to continue living through their pain and not let it break them apart. Both Aaron Eckhart and Nicole Kidman are spectacular in their roles. They manage to balance the intense sadness of this plot, while not making the whole film come across as yet another melodramatic tale about death and grieving. Miles Teller as the teenager who accidentally killed their son is pitch-perfect here too, as well as Sandra Oh. If you watch Grey's Anatomy you already know that this woman can act the hell out of anything, and she is really and perfectly understated in this film.

Overall highly recommended, but only on a night when you can handle being a bit sad.

I Love You Philip Morris (Available on DVD)
I had heard a few good things about this film, but it really flew under the radar during its original release in 2009. Naturally I wanted to see it due to the plot alone: a true story about a gay con man (played by Jim Carrey) who falls in love with a fellow inmate (Ewan McGregor) after being sent to prison on fraud charges.

I am one of the (probably) few who thinks Jim Carrey is almost better in dramatic roles..."Eternal Sunshine of the Spotless Mind" is one of my favourite films of all-time. Here he gets to be equally goofy and dramatic, and I think he generally did a good job. Ewan McGregor was also really impressive as Philip Morris, the sweet southern gay man that Carrey's character Steven Russell falls madly in love with.

While the film is generally entertaining, it's never really funny or that emotional even when it tries to be. It is based on an almost unbelievable true story and there is a really nice twist at the end that you will NOT see coming, but overall I wasn't a huge fan. I would suggest this if you're up for something really different (or if you'd like to see Jim Carrey naked and screwing guys a lot).

Bridesmaids (still in theatres)
Ahh and then this post's pièce de resistance: Bridesmaids! There's not much I can say about this movie that hasn't already been said 100 times over by movie reviewers, colleagues, friends...pretty much everyone (and really if you haven't seen this yet, where have you been hiding?). What I can say though is that this is easily the FUNNIEST film I've seen in years.

No, it's not funny to me because it's a female comedy. This film is funny because it's laugh out loud hilarious and seriously smart, and stars one of (if not the) funniest people on the planet, Kristen Wiig. Wiig plays Annie, a 30-something single woman who is seriously down on her luck, and just when she thinks it can't get any worse, it does: her best friend announces that she's getting married. What ensues is a series of hilarious circumstances surrounding the wedding planning, and scenes SO funny that I actually could not control the guffaws coming out of my mouth.

Two particular scenes that stood out for me were when they go bridesmaid dress shopping and everyone becomes suddenly ill, and when Annie gets seriously intoxicated on the plane on the way to a bachelorette weekend. I dare you to watch these scenes and not die laughing.

Pretty much all of the performances are great here too...everyone is trying really hard to bring the laughs and they all succeed. Both Jon Hamm and Irishman Chris O'Dowd are great as the main male characters (the latter is equal parts adorable and witty).

What I love the most about this movie (other than the fact that now everyone knows the unbelievable Kristen Wiig) is that it has hopefully proven to the film studio executives that a smart, hilarious comedy starring mostly women can be a huge success. Maybe we'll see some actual GOOD comedies come out of the momentum this films has had, but we can only hope. I, for one would rather watch more films like this than another comic book adaptation or teenage gross out comedy.

Well, those are all the reviews for today...but I'll hopefully be back soon for a couple of doosies: Terence Malick's "Tree of Life" and "Super 8" J.J. Abram's ode to chilhood and filmmaking.

Hope you're all staying cool in this wonderful summer heat. Have you seen any great flicks in this early summer movie season? Anything I should check out? Leave a comment and let me know.

Viva Las Vegas!

So, I haven't had a lot of time to think about writing movie reviews. For one, I spent last weekend visiting family for a wicked Stag&Doe in Niagara.

Even more excitingly, tomorrow I leave for four days to LAS VEGAS! I've never been, and while the amazing weather (28 and sunny all days we're there), shows, and most importantly cheap alcohol is reason enough to go...I'm also excited to see for myself the mythic place known as the Las Vegas Strip.

Growing up as a TV/movie/pop culture kid, I have grown accustomed to seeing certain places immortalized on film time and time again. Places like Paris, New York City, London, Hollywood, etc. There is always a risk of being disappointed when travelling to these places too, because you never know if you'll love it as much as everyone seems to in the outside world.

Luckily, I've been to both Paris and New York and was surprised by how both of them not only met my expectations, but also far surpassed them.

For example, Paris really is as romantic, poetic and beautiful as you would think...

This was one of the first things I saw after arriving in Paris, and I've never had something take my breath away so profoundly.

  

...and New York City really is as big, busy, glamourous and fascinating as TV and movies would lead you to believe...

I was so obsessed with NYC as a teenager, that when we actually arrived and drove in from LaGuardia via yellow taxi, I started crying like a baby haha.

...but when I think of Las Vegas, I don't really know what to think. I think of a city notorious for gambling, the strip, celebrities who put on shows, and a whole lotta "entertainment". But mostly, I think about this:

Yes, it's the place where Kelly Kapowski and Zack Morris (my first love) finally got hitched. It's also where Slater and Screech dressed up as go-go dancers to hide from a hitman, and where (spoiler alert) Jessie Spano showed up as a bridesmaid at the last minute (missing her exams) because she had to be there to see her two best friends ride off into the sunset.

Ok, so maybe I don't expect to see any of the SBTB crew while I'm there...but one thing is certain: I'm going to have a fricken FANTASTIC time there. And considering this trip is just one big, fun, celebratory send-off for me and my baby sister who is getting married in August  - I can't think of a better place to be.

Have a great Easter weekend everyone and I'll be back next week with some new posts (movie reviews, another Grey's Anatomy update as it starts up from a four week hiatus next Thursday, and maybe even some other fun stuff).

RRReview #7: Source Code

This past weekend I was actually able to go to a movie theatre (in italics because it's pronounced thee-ah-tah...haha I joke), for the first time in quite a while. In fact I think the last time I went was in oh...December. For a cinephile this does not appear to make much sense, but I'll let you in on my reasoning: I generally don't like films that come out early in the new year.

As everyone knows, the 'big and important' films, aka the ones that are trying to generate awards-season buzz, are generally released during the months of September and December. This is so they can be considered for the 2010 Golden Globes, Directors/Actors Guild Awards, and of course the big kahuna - the Academy Awards. Due to this, in those four months there are more fantastic films than anyone could ever possibly see in a theatre. Seriously, you'd have to be a full time movie critic and even they don't see them all.

The trouble with this of course, is that the studios have caught on to this trend and now tend to release their dud films in the months of January to April(ish). They do this in the hopes that some good (but not great) film either succeeds wildly for no reason, or falls away into film obscurity and makes way for the great summer blockbusters.

To prove this point, check out some of the films that have come out so far in 2011:

• Season of the Witch (with Nicholas Cage, I think it speaks for itself)
• The Green Hornet (had a lot of buzz, but when it came out in January I knew it was bad)
• No Strings Attached (oh Natalie Portman, why have you lowered yourself to doing a sex comedy with Ashton Kutcher?)
• Justin Bieber: Never Say Never (don't hurt me Biebans, but I'm sure this was not a cinematic masterpiece on any scale)
• Beastly (a Beauty and the Beast remake with Vanessa Hudgens? ugh, just ugh)

See what I mean? Now, I'm not saying that all films that come out in this time period are necessarily bad, I'm simply saying that they hardly stand a chance of being good.

This little history lesson serves to explain why, when I went to see the new Jake Gyllenhaal action flick Souce Code over the weekend, I was not expecting much. 

Source Code

Starring: Jake Gyllenhaal, Michelle Monaghan, and the exquisite Vera Farmiga

Directed by: Duncan Jones (he's only done one other feature length film called Moon, which I haven't seen  but have heard excellent things about)

On DVD or in theatres? In theatres (released April 1, 2011)

Spoilers? I'll do my best to not give away the important parts.


What worried me about the film was more than just the fact that it was released in the bad period. I was also worried that it starred Jake Gyllenhaal. Don't get me wrong, I love his puppy dog eyes and wide, flashy smile as much as the next person - but poor Jake has not impressed me as of late.

Of course I loved, loved, loved him in Brokeback Mountain one of my favourite films of all-time. And he was equally fantastic in films like Zodiac, Jarhead, and the cult classic Donnie Darko. But lately, there have been the unfortunate films. Ones like: Love and Other Drugs (horrendous) and Prince of Persia: The Sands of Time (shudder).

To my surprise though, I really enjoyed this film (including Jakey-poo). Sure it's not going to win any awards but it was definitely entertaining and actually made me think a bit, which is about all I can ask for out of a popcorn movie.

The plot centres around American army helicopter pilot Colter Stevens who wakes up mysteriously on a commuter train in the outskirts of Chicago. He has no idea how he ended up there, and added to this he's being recognized as someone else. When he tries to explain himself, he ends up coming across as a nutbag. He finds himself sitting across from a girl named Christina (Monaghan) who appears to have known him for quite some time. He looks at himself in a bathroom mirror, only to be shocked that he looks like someone else too to the outside world. Then, just when he's trying to figure out what the heck is going on - the train explodes.

When Stevens comes to, he finds himself suspended in a dark pod, being spoken to via camera by an army official named Goodwin (Farmiga). She eventually explains that Stevens is part of an army mission and the train he was on is not real, it is a re-created vision of the past (stay with me). The mission is to continue sending him back to the past until he is able to determine why the train exploded and who was involved, in the hopes that this will lead them to find the terrorist responsible and stop another impending attack in downtown Chicago. Sounds easy enough right? The catch is that he only has eight minutes each time he is sent back before the train explodes again. Kind of like the movie Groundhog Day on steroids.

Obviously this film requires a certain amount of suspension of disbelief. If you can accept the science they use to explain why he can continue to go back into this alternate universe, then you might stand to really enjoy this film.

Monaghan and Gyllenhaal getting cozy in Source Code. I'll give you a toonie if you can identify the guy in the background.

What ultimately works though about this movie and why I ended up liking it so much, is both the script and the acting. Gyllenhaal is quite good here as Stevens, equal parts confused soldier and lovable action hero. I definitely believed he was capable of the things he did, whether running around on the train knocking people down or coming up with clever ways to find the bomb and save the day. Monaghan was pretty decent too as Christina. She is not given much to do other than be a love interest for Stevens, but she does manage to convey the sympathy and sex appeal needed to make it believable. There is also a a bit part by a certain well-known Canadian comedian, pretty much acting like himself but it's good nonetheless.

The exquisite Vera Farmiga as Goodwin.

Special attention must be paid though to Vera Farmiga's performance. You may recognize her name from 2009's stellar Up in the Air and she's oddly just as good here as Goodwin. Now, I'm not going to lie that I'm a sucker for a beautiful woman and Farmiga is certainly all that and a bag of chips. But she really is a great actress; she's compelling, endearing and entertaining to watch all at once. Given that Goodwin is sitting down for 3/4 of the film in front of a small TV screen, Farmiga somehow manages to believably convey all the impossible things going on.

As I said, I also loved the script. Writer Ben Ripley has a really interesting mind, and I love how he tries to get the viewer to consider the unimaginable. This idea of alternate universes and versions of ourselves that might exist in infinite other dimensions, is an interesting one.

Why is Colter Stevens able to go back into the past and alter his behaviour? Might he be able then to go back and save all of those people on the train before it explodes, even though it has already happened? Is it possible to be lucid enough in an alternate dimension to carry forward into an alternate future? Is it actually possible that alternate dimensions exist?

Trippy questions, yes. But the way the movie poses them is intelligent and actually quite beautiful. I would love to go into more detail about this, but I don't want to ruin it for you. If you're looking for a fun, thought-provoking popcorn movie to see this weekend - I would definitely recommend checking it out. Oh and to Jake - maybe I just misunderstood you after all...but I'll reserve judgment until your next film is released.

My favourite Rotten Tomatoes critic's quotes about this film:
"A concept that might raise doubts about how well it could work. All the greater reason to praise the skill that shaped it with such brisk force and loving hands."

"The surprisingly moving Source Code boils down to a simple love story, with complicated strings attached."

"Jake Gyllenhaal is the movie's great asset. He exhibits an artful ability to humanize his character in a dehumanized world of gamesmanship."


"A top-notch time-bending sci-fi thriller that deftly avoids many potential paradoxes."

"Source Code is high concept filmmaking done the way it's supposed to be."

Have you seen Source Code? Do you agree/disagree with my take? Why is Jake Gyllenhaal so appealing to so many people? Let me know in the comments :)

RRReview #6: Made in Dagenham

I'm baaack. It only took me a week to get far enough out of my Grey's Anatomy musical episode coma to come back to film reviews. For the record: the episode was fan-freaking-tastic and I have watched it 12 times already (yes, I have an obsessive nature). Anyway, the next episode doesn't air until April 28th so I guess it's back to films for now.

Last weekend, I watched a couple of films. First was a repeat viewing of 127 Hours...and I loved it just as much as the first time. Still haven't seen it? Check out my review of that here.

Then, my best buddy and I cued up Made in Dagenham, a great little British film that I had heard great things about. Here's my take on it.

Made in Dagenham
Starring: 
Sally Hawkins, Bob Hoskins, Miranda Richardson, Rosamund Pike and a whole host of other awesome Brits

Directed by: 
Nigel Cole (other films include Saving Grace and Calendar Girls)

On DVD or in theatres? On DVD and Blu-ray

Spoilers? Not many.


Well, finally! After seeing a bunch of bad movies lately...I get to see a good, satisfying one. Added to this, it is British and I loves me a good British flick.

The film stars the formidable Sally Hawkins. As always she is completely and utterly compelling here. Seriously, if you have not seen her in Happy-Go-Lucky get thee to a DVD copy of it NOW.


The story is based on real-life events and stars Hawkins as mild-mannered Rita O'Grady, the woman who almost single-handedly kickstarted the women's equal pay rights movement in late '60s England. O'Grady and 187 other women at the time worked for the Ford auto factory in Dagenham, England. Not only did they work in deplorable conditions, but they were severely underpaid in comparison to the men who worked for the factory (including her husband).

This film follows their story; of how these 187 hardworking women worked to change the system at a time when women working, let alone getting paid, was still seen by many as unnecessary.

Now, the film is a tad formulaic. There is nothing new or incredibly adventurous about the way it is shot or edited. But I don't think that was the goal of the filmmakers here anyway.

We basically get to see the beginnings of the movement as the women fight first to go on strike for a day (which had never really been done at the time), and then as they take their fight further when the chauvinistic big-wigs at Ford don't take them seriously.


Bob Hoskins, while pretty good here, will unfortunately always be this guy to me:

Yes, it's Smee from "Hook". Haha.

He plays Albert Passingham, a representative of Ford, and the one man who seems to actually understand why women deserve to get paid the same as men. Other performances of note are Daniel Mays as Rita's supportive but confused husband, and the always lovely Miranda Richardson as British Minister Barbara Castle who helps the ladies with their cause. Also of note, actress Rosamund Pike who I have seen in a few other British films. Not only is she wowza gorgeous, but she plays the role of housewife-intellectual-turned-crusader very believably.

The lovely Rosamund Pike in "Made in Dagenham".

Aside from all of this though, the movie is worth seeing if solely for the performance of Sally Hawkins. I find that she has a very enigmatic quality about her in every role she plays. In this film, she somehow manages to carry off the complexities and fierceness of this character while still having her come across as a sweet and very loving mom who ultimately just wants life to be fair. There is a scene towards the end of the film when she makes an impassioned speech to a room full of union men, and it is so good I dare you not to think she is adorable.

The film rarely falls flat, but there are two side-stories that, while I understand their inclusion, did not really get to me emotionally as much as I'm sure was intended. One is of Rita's co-worker, a girl who longs to be famous and lets that naivety almost take her down the wrong path. The other is of Rita's picketing partner in crime Connie (played by Geraldine James), who is dealing with a husband with PTSD due to being a soldier in WWII. Both of these storylines exist to serve the purpose of explaining what women had to deal with in the late '60s, but for me they don't really work.


Ultimately this is not the type of film you go on about at length. It's really just a sweet, funny little film, and a great lesson in appreciation for Western women of the millennium generation  (like myself) who really do take their gender equality for granted most of the time. I recommend this if you're in for a good British film, with all the biting wit and fun references you'd expect.


Have you seen, or even heard of Made in Dagenham? Is it something that interests you? Have you seen anything else really good recently that you might like me to review? Hit me in the comments :)

A moment or two on (gasp!) TV

*EDIT* Sorry rushed to post this and had a few typos. For a trained journalist this is appalling, which is why I'm apologizing haha. I've also changed my comment setting so you can comment without having an account :)

Wow I'm getting a lot of visitors to the blog now which makes me really happy. First off - if you'd like me to watch a film and then review it, let me know. It can be anything old or new...I'll literally watch anything.

No review to post today, just a quick update and I should be back with a few reviews and things starting tomorrow. Next up for reviews actually is a great little British film I saw on Saturday called "Made in Dagenham" starring the great Sally Hawkins, so look out for that soon.

Now, onto my little chat about TV. This is predominantly a movie/film blog, but I do watch a couple of TV shows rather religiously too. So, bare with me while I write about it for a minute or two.

I actually made a point of not watching so much television in 2010/2011 and I've stuck to that pretty well. Other than the odd guilty pleasure (Big Brother in the summer, Biggest Loser...more on that below, and 30 Rock...because obviously Tina Fey is a comedy god)...I manage to avoid it often enough. Having said this, last week's episode of Grey's Anatomy that ended in a car crash, and the much-anticipated episode airing this Thursday in which they all SING, is keeping me on the edge of my seat. And naturally since it's all I seem to think about, I decided to blog about it.

Part of my obsession with film originates with my overall ability to obsess over anything if I'm given reason enough. This began back in the day with Prince William (don't ask), went on to Angelina Jolie (pre-Brad era), and currently resides with Jillian Michaels (you don't have to get it, but really that woman is knock-me-down gorgeous). The last exception to this rule is the aforementioned Grey's Anatomy, specifically the Callie and Arizona pairing...of which I have been overly, if not disturbingly, obsessed with as of late.

Now to explain: I'm gay and with this comes a natural bias towards gay-lady storylines. They are few and far between. Yes, Grey's Anatomy is as a whole a very dramatic, sometimes annoying hour-long drama about doctors. But it's also the source of one of the most full-realized lesbian couples ever on television. While the average person might not understand the gravity of this to someone like me, I'll attempt to explain.

There is so much entertainment out there nowadays with movies, TV, web, books, etc. Mainstream television is often just that, mainstream. I don't take a great deal of issue with this actually - to me as long as the stories are well written and the acting is decent, I'm alright with it. Despite all this, when a network show that has been on the air for seven seasons (and has a strong viewer base) decides to prominently feature storylines about two awesome women surgeons who just happen to be in love with each other, I take a great deal of notice.

What makes it even better is I've watched this show since the beginning. Naturally, this makes it all the more epic to me. I can't even really explain television obsessions. Sure, I have a good head on my shoulders and most of the time I realize that strongly obsessing over a show, any show, comes across a bit vapid. Regardless, haha it is happening to me this week.

I guess all it takes is an intense storyline involving accidental pregnancies, two women crazy in love but also crazy different, a surprise marriage proposal and now this week - a hallucinatory episode that leads to a great deal of television surgeons breaking out into song. And I can't help but love it. Hopefully once the episode airs on Thursday, I'll be able to get my brain back into the real world.

In the meantime...check out this wicked sneak peek (if you are so inclined). Warning if you haven't seen this and don't want to...it is a SPOILER.

Oh television, sometimes you are so bad that you're gooood.

Anyway, enough TV talk I'll be back with a new review hopefully tomorrow. In the meantime, please comment! What are your favourite TV shows? Do you have any guilty pleasures that no one really understands? I'd love to hear about it.

RRReview #5: Morning Glory (What's the story? That it's boring)

I seem to be on this kick lately of watching films on DVD (like I may have mentioned I see far more films at home than in the theatre). This is often a good thing, because watching films at home allows you to turn them off whenever you feel like it, especially if they are either:

a) completely and utterly predictable and unoriginal
b) start off promising but then fall into similar patterns of predictability OR
c) are just plain boring/sucky (yes I know this is a juvenile word but seriously, I'm getting frustrated with the state of modern films these days)

Unfortunately, after my little rant the other day about a film that falls wholeheartedly into two of these categories, I'm back at it again today with the unfortunate, and truly disappointing slop that is, Morning Glory.

Morning Glory
Starring: 
Rachel McAdams, Patrick Wilson, Harrison Ford, Diane Keaton AND Jeff Goldblum

Directed by: 
Roger Michell. Don't worry I didn't know who he was either, but he directed Notting Hill AND Changing Lanes which I actually quite enjoyed at the time.

On DVD or in theatres? On DVD and Blu-ray

Spoilers? Yes, many. But if it's any consolation - it's nothing you couldn't figure out for yourself five minutes into this movie.

I should preface all the complaining I'm about to do by saying that I am a news/journalism movie fanatic. One of the films I was most obsessed with as a kid was Up Close and Personal simply because it was about two journalists who fall in love. I went to journalism school at Carleton, I make documentary films, I have worked in television newsrooms on and off camera, including on a morning show (albeit a very small, laid back one) - hence the obsession.

 
Despite all this...I no longer work in journalism, and never really did full time. I do not claim or profess to know anything at all about what it's really like to work full time as a morning show producer for a major television station, as the film's protagonist Becky Fuller (played by McAdams) does in this film. And I suspect that this is actually what the film gets right. I'm sure the depiction here of what it's "really like" to be a workaholic producer for a fledgling morning show is pretty accurate. However, my problem is not with how real this film is or is not; it is with the sheer dullness of it all.

When you have a cast full of film legends that includes two incredibly talented young actors in their own right, even a romantic comedy like this should work. But for some reason it doesn't. And I think ultimately it's because none of them are given anything really funny, original, or even just interesting to do.

Sure, Keaton and Ford (as journalists Colleen Peck and Mike Pomeroy, respectively) try really hard to be hilarious as the aging, cantankerous duo that end up hosting a morning show together. And McAdams puts all of her usual cute smiles and perkiness into this role, although it comes off a bit uneven. I also won't say that I didn't get a chuckle here or there from a particularly crazy news scene.

My ultimate issue with the film is with what I will call the "chick flick complex". This film complex varies among romantic comedy plots, but in this case the formula goes something like this: a girl is so work-obsessed that she struggles with relationships, only to realize the error of her ways by meeting some cute guy who helps her realize there’s more to life. It works sometimes, but when the comedy and romance needed to balance this type of story out are not there – it just falls flat.

McAdams, Keaton and Ford getting' their news on.

It’s also just *so* predictable, a complaint I believe you will find from many a film nut, because we watch so many films. But really, is it so bad to ask for a bit of originality?

To demonstrate I'll explain the plot slightly. First Becky gets a producing job at a major national network that has a failing morning show. It needs better ratings to stay on the air, and Becky needs a job.

She then encounters and subsequently fires a very creepy co-host (played very well by Ty Burrell of current Modern Family fame), only to have no luck finding a new host, and ultimately being led to blackmail a widely respected journalist named Mike Pomeroy (think Dan Rather type) into taking the job. Pomeroy hates the show and the work but is legally required to be on air. He feels that he is above the petty nonsense of morning television and therefore does everything in his power to be an ass. Oh and Becky also meets a television producer (played by Wilson) on her first day of work who catches her eye.

Just by reading this little synopsis – I would be willing to bet that you could predict 3/4 of the rest of this plot. This is how I predicted it: hilarity ensues, the show starts to be successful, the old curmudgeon teaches the young girl a thing or two and learns something about himself in the process, and at the end the girl gets the guy and realizes there is more to life than getting the job at the biggest network.

Sounds about right eh? Oh whoops, too bad that's exactly what happens.

I don't know...maybe this is the kind of film you, dear blog reader, would enjoy. Maybe you think, hey I need a nice "feel good, rom-com" every once in a while. I don't begrudge you that, in fact I agree with you. Some of my favourite films are actually these types of cheesy, easy to watch, easy to relax with movies. But that doesn't mean you shouldn't demand to be thoroughly entertained by these types of films.

Afterall, if they are not being made to win awards, provoke thought or shed light on important issues - shouldn't they at least be entertaining? I think so.

Ultimately, this is standard fare...and for me that's not good enough. It may be enough for you.

Morning Glory is out now on DVD and Blu-ray.

What do you think about my review of Morning Glory? Agree or disagree? I really, really, really want to hear from you! Please leave a comment, I don't bite :)

My favourite Rotten Tomatoes critic's quotes about this film:

"A bizarre celebration of dumbing down that fails to work as satire, comedy or romance. The characters are one-note and a good cast is wasted."

 "Basically a self-serving justification for the prominence of fluffy entertainment over sharply written and intelligently crafted stories."

"Presumably, we are meant to find this cute, rather than intensely depressing."

"Little glory in this heavy handed formulaic comedy."

In honour of a true legend, RIP Elizabeth Taylor

As most of you know by now (word travels fast these days), Elizabeth Taylor, a true screen legend and icon, passed away this morning at the age of 79.

Since this is ultimately a film blog, and one that has a great deal of respect for everyone involved in them, I had to write a little something about the amazing Liz Taylor. She was an actress from a generation that knew what glamour and talent were really about. Throughout her insanely varied and sometimes sordid life, one thing remained steady: she was a truly great actress and philanthropist, who stood up for AIDS and gay rights at times when it was not popular to do so. She was a class act, and will hopefully be remembered for generations.

In lieu of reviews, I'm simply going to list some of my favourite Elizabeth Taylor films and roles. I would encourage all of you to check some of them out. Older films really shouldn't be just a novelty to us modern-day folk; because they are a glimpse into the real past, a past that in part shaped who we are today. It is for this reason that given the choice, I would watch a classic Hollywood film over a modern popcorn flick any day of the week.

My "Liz Taylor Top 5"

Who's Afraid of Virginia Woolf? (1966)

Role: Martha

Little Women (1949)

Role: Amy March

Cat On a Hot Tin Roof (1958)

Role: Maggie Pollitt

Father of the Bride (1950)

Role: Katherine 'Kay' Banks

...and OF COURSE (my personal favourite even though it's not really a great film at all) 

Cleopatra

Role: Cleopatra

Rest in Peace, Elizabeth Taylor. 1932-2011